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Nuha al-Radi (January 27, 1941 in Baghdad – August 30, 2004 in Beirut) was an Iraqi diarist, ceramicist and painter and noted author of the Baghdad Diaries which vividly recounts the horror of living through the first Gulf War.
The Iraqi Ministry of Culture is involved in efforts to preserve tradition Iraqi crafts like leather-working, copper-working, and carpet-making. [29] The toppling of Saddam Hussein's statue in Firdos Square, Baghdad shortly after the Iraq War invasion. The removal of statues was part of a de-Ba'athification process
Fallen Iraqi soldiers The Monument to the Unknown Soldier ( Arabic : نصب الجندي المجهول , romanized : naṣb al-jundiyyi al-majhūli ) is a monument in central Baghdad designed by Italian architect Marcello D'Olivo [ it ] based on a concept by Iraqi sculptor Khaled al-Rahal and constructed between 1979 and 1982.
The Baghdad Battery is the name given to a set of three artifacts which were found together: a ceramic pot, a tube of copper, and a rod of iron. It was discovered in present-day Khujut Rabu , Iraq in 1936, close to the metropolis of Ctesiphon , the capital of the Parthian (150 BC – 223 AD) and Sasanian (224–650 AD) empires, and it is ...
The timely start of the ground war meant that Iraqi soldiers and secret police did not have the opportunity to revisit the museum. [8] [9] While much of the collection was preserved, [10] the destruction of the Iraqi carpets and the looting of the New English School represented significant losses for the Rajab family. [8] [9]
Al-Shaheed was constructed on Baghdad's al-Rusafa side, and this monument is one of three monuments that were built to remember Iraq's pain and suffering as a consequence of the eight-year war. The first of these structures was The Monument to the Unknown Soldier (1982); followed by Al-Shaheed (1983) and finally the Victory Arch (1989).
The glass factory, officially called the General Company for Glass and Refractories, is an Iraqi government factory for the production of glass, refractories, and ceramics. It was established in 1971, at a cost of 6,700,000 dinars, in the city of Ramadi, affiliated with the Ministry of Industry and Minerals, 80 kilometers west of Baghdad. [1]
Ghaib is part of a generation that experienced wars in Iraq, ranging from the Iran-Iraq war in the 1980s to the Persian Gulf war in the 1990s, culminating in the US invasion in 2003. Due to the wars, he had to leave Iraq and seek refuge in Amman, Jordan, where he set up his studio. Consequently, themes of displacement, loss, and memory took ...