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The poster was drawn as hanging on a wall in a 1995 poster created by Gabor Baksay. [15] In September 2021, a modified version of this painting was used in Novosibirsk to promote vaccination against the COVID-19. [16] Lissitzky's Revenge is a game based on Lissitzky's propaganda posters from 1919. It was developed in 2015 and uses paper-cuts as ...
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The poster "Bij Bolszewika" (English: "Beat the Bolshevik!") portraying a Polish soldier fighting a red, three-headed dragon symbolizing the enemy. The poster "Do broni. Wstępujcie do Armji Ochotniczej!" (English: "To the arms! Join the volunteer army!"), where the Bolshevik enemy is portrayed as three-headed dragon, breathing fire.
Original - A 1937 anti-Bolshevik Nazi propaganda poster. A man with a skeleton face stands over bloody corpses, wielding a whip. His hat and clothing are Bolshevik in style. Translated caption: "Bolshevism without a mask - large anti-Bolshevik exhibition of the NSDAP Gauleitung Berlin from November 6, 1937 to December 19, 1937 in the Reichstag ...
A 1921 Bolshevik propaganda poster calling for the continuation of the Red Terror, "The Red Army has crushed the White Guard parasites – Yudenich, Denikin, and Kolchak. A new trouble has emerged – the Typhus-bearing louse. Comrades! Fight now against infection! Annihilate the louse!"
Propaganda posters had been an important weapon for the Bolsheviks during the Civil War 1918–1921, but they remained in use even after the war's conclusion. After the Civil War and Lenin's institution of the NEP Policy, propaganda posters began increasingly depicting the reforging of Soviet everyday life or byt [31].
The broadcasts were full of tirades about Yankee-swine, stink-Japs, Russian pig–Bolsheviks, and Italian lemon-faces. He called Churchill a “dirty, Jew-loving drunk.” The sex and swearing ...
After the Bolshevik Revolution of 1917, political unrest grew and the past revolutionary spirit seen in Russian art turned into propagandist work. By the beginning of the 1930s, poster production was strictly reserved for commissioned artists as well as the images, text, and symbols used.