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Mounting for a sword of the itomaki no tachi type with design of mon (family crests). 1600s. Museum of Fine Arts, Boston. The tachi (太刀) style koshirae is the primary style of mounting used for the tachi, where the sword is suspended edge-down from two hangers (ashi) attached to the obi. [5]
A second stone on the south side that was heavily covered in moss, has a claymore, which is a type of sword, on one side of the stone, with two steps outlined beneath the tip. [7] Beside it is a shaft with four incised saucer-like circles arranged in a square that's parallel to the hilt of the sword. This design is common in the western ...
Kinney explained, "General Johnston, in command of an army vastly inferior in numbers to General Sherman's army, had to use his brains more than his sword; hence I made the sword subservient to the brain." [61] Memorial plaque at Johnston Headquarters, Huff House [62] Decatur: DeKalb County Confederate Monument. Obelisk located behind Old ...
A commemorative plaque, or simply plaque, or in other places referred to as a historical marker, historic marker, or historic plaque, is a plate of metal, ceramic, stone, wood, or other material, bearing text or an image in relief, or both, to commemorate one or more persons, an event, a former use of the place, or some other thing. Most such ...
The following emblems and emblem numbers are publicized as available for government headstones and markers as of January 2025. [9] A process is in place to consider approving additional religious or belief system emblems requested by the families of individuals eligible for these headstones and markers.
Tachi long swords were worn edge down suspended by two cords or chains from the waist belt. The cords were attached to two eyelets on the scabbard. [148] Decorative sword mountings of the kazari-tachi type carried on the tradition of ancient straight Chinese style tachi and were used by nobles at court ceremonies until the Muromachi period ...
A tachi is a type of sabre-like traditionally made Japanese sword worn by the samurai class of feudal Japan. Tachi and uchigatana generally differ in length, degree of curvature, and how they were worn when sheathed, the latter depending on the location of the mei (銘), or signature, on the tang.
Archaeologist Ken Feder has compared weathering on the stone with weathering on New England gravestones whose inscriptions have become indecipherable in the last twenty years, while "the Westford petroglyph, rather miraculously, appears to have improved through time, getting fresher every year with new elements appearing that previously had gone unnoticed.