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A low relief carving of a Viking ship Carving tools and a mallet. In wood carving relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely.
Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
While many woods can be used for carving, there are some clear favorites, including aspen, basswood, butternut, black walnut, and oak. [18] Because it has almost no grain and is notably soft, Basswood is particularly popular with beginner carvers. It is used in many lower-cost instruments like guitars and electric basses. [18]
Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...
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Linenfold (or linen fold) is a simple style of relief carving used to decorate wood panelling with a design "imitating window tracery", [1] "imitating folded linen" [2] or "stiffly imitating folded material". [3] Originally from Flanders, the style became widespread across Northern Europe in the 14th to 16th centuries.
Indirect carving is a way of carving by using an accurate clay, wax or plaster model, which is then copied with the use of a compass or proportional dividers [1] or a pointing machine. The direct carving method is a way of carving in a more intuitive way, without first making an elaborate model. Sometimes a sketch on paper or a rough clay draft ...
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. Side view showing depth of the relief
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