Search results
Results from the WOW.Com Content Network
New York City in the 1980s, the primary setting of the series. Banana Fish is set in the United States during the mid-1980s, primarily in New York City. Seventeen-year-old street gang leader Ash Lynx cares for his older brother Griffin, a Vietnam War veteran left in a vegetative state following a traumatic combat incident in which he fired on his own squadron and uttered the words "banana fish".
The Banana Fish anime adaption was greenlit by Shogakukan, which published the original manga, based on a story proposal from Aniplex animation producer Kyōko Uryū. [1] Uryū pitched the series for a 2018 release to coincide with the 40th anniversary of Yoshida's debut as a manga artist ; the series would ultimately become part of a broader ...
View a machine-translated version of the Japanese article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
A Japanese photojournalist who comes to New York City to do a report on street gangs. Griffin Callenreese (グリフィン・カーレンリース, Gurifin Kārenrīsu) Voiced by: Kazuhiro Fusegawa [6] Ash's older brother. A veteran of the Vietnam War, Griffin became severely mentally handicapped after being used as a test subject for banana ...
Yoshida is best known for the crime thriller series Banana Fish, which she published between 1985 and 1994. The series was reprinted many times and received an anime adaptation produced by MAPPA in 2018. [5]
The manga in these magazines were influenced by realist stories like Banana Fish, and moved away from the shōnen-ai standards of the 1970s and 1980s. [63] [64] Shōnen-ai works that were published during this period were typically comedies rather than melodramas, such as Gravitation (1996–2002) by Maki Murakami. [65]
Hiroko Utsumi (内海紘子, Utsumi Hiroko) is a Japanese anime director, animator, storyboard artist, and manga artist.She is best known for her work with Kyoto Animation, particularly as the original director of Free!.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...