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Donovan put the message "This machine kills" on his guitar, leaving off the word "fascists"; he explained in his autobiography, "I dropped the last word, thinking fascism was already dead." [15] The Dropkick Murphys' 11th studio album, composed of songs set to unused lyrics and words by Guthrie, is titled This Machine Still Kills Fascists. [16]
"Second Fiddle (To an Old Guitar)" was released as a single in April 1964. It was issued as a seven-inch vinyl record by Capitol Records, featuring "Two Little Boys" on the B-side. [3] The song was described as Shepard's comeback recording for restoring her commercial success. [5]
Back Home Again is the eighth studio album by American singer-songwriter John Denver, released in June 1974.. The multi-platinum album reached the top position on the Billboard 200 and contained the hit singles "Annie's Song" (#1 pop, No. 1 adult contemporary), and "Back Home Again" (#5 pop, No. 1 AC, No. 1 country).
Prairie Wind is the 28th studio album by Canadian / American musician Neil Young, released on September 27, 2005.. After an album rooted in 1960s soul music, Are You Passionate?, and the musical novel Greendale, Prairie Wind features an acoustic-based sound reminiscent of his earlier commercially successful albums Harvest and Harvest Moon.
"Old Man" is a song written and performed by Canadian rock singer-songwriter and guitarist Neil Young from his 1972 album Harvest. "Old Man" was released as a single on Reprise Records in the spring of 1972, reaching number 4 in Canada, [ 3 ] and number 31 on the Billboard Hot 100 singles chart for the week ending June 3.
The song serves as a rare guitar-oriented selection on the keyboard-heavy Extra Texture album, although David Foster, Gary Wright and Harrison all contributed keyboard parts to the track. "This Guitar" has traditionally received a mixed reception from reviewers, partly due to the inevitable comparisons with "While My Guitar Gently Weeps".
"Woodstock" is a song written by Canadian-American singer-songwriter Joni Mitchell. At least four versions of the song were released in 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single "Big Yellow Taxi".
Emmett's lyrics as they were originally intended reflect the hostile mood of many white Americans in the late 1850s towards increasing abolitionist sentiments in the United States. The song presented the point of view, common to minstrelsy at the time, that slavery in the United States was a positive institution overall.