Search results
Results from the WOW.Com Content Network
Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
Miriam Haskell (July 2, 1899 – July 14, 1981) was an American designer of costume jewelry. With creative partner Frank Hess, she designed affordable pieces from 1920 through the 1960s. Her vintage items are eagerly collected and the namesake company, which first displayed her jewelry in New York City's McAlpin Hotel, continues.
Subjects have included jewelry, pottery, Handbags, woodblock prints, and more. Kovels’ Buyers’ Guide to 20th-Century Costume Jewelry Part 1 & 2; Kovels’ Buyers Guide to Modern Ceramics; Kovels’ Flea Market Strategies: How to Shop, Buy, and Bargain the 21st-Century Way; Kovels’ A Diary: How to Sell, Settle, and Profit from a Collector ...
Costume or fashion jewelry includes a range of decorative items worn for personal adornment that are manufactured as less expensive ornamentation to complement a particular fashionable outfit or garment [1] as opposed to "real" (fine) jewelry, which is more costly and which may be regarded primarily as collectibles, keepsakes, or investments ...
These patterns are called "Three Dimension" because the design of these patterns is apparent from the front, back, or profile. Each of these patterns remains popular; in particular, the Grande Baroque pattern remains a best-seller. In 1947, Warren wrote a book, published by Wallace Silversmiths, called "Wallace Beauty Moods in Silver" to ...
The hallmark for sterling silver varies from nation to nation, often using distinctive historical symbols, although Dutch and UK Assay offices no longer strike their traditional hallmarks exclusively in their own territories and undertake assay in other countries using marks that are the same as those used domestically.
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]