Search results
Results from the WOW.Com Content Network
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. The srimpi dance is one of the classical dances of Central Java .
Javanese dance movement is controlled, deliberate, and refined. Javanese art often displays finesse, and, at the same time, a serene composure which is elevated far above everything mundane. [1] Javanese dance is usually associated with courtly, refined, and sophisticated culture of the Javanese kratons, such as the bedhaya and srimpi dance.
Ronggeng dance (Jakarta, Central Java and East Java), a type of Javanese dance in which couples exchange poetic verses as they dance to the music of a rebab, violin and gong. Rudat dance ( West Nusa Tenggara ), a traditional dance of Sasak people, demonstrates pancak silat martial art movements.
Bedhaya dance performance at the wedding of Hoesein Djajadiningrat and Partini in the palace of Prang Wedono (Mangkoe Negoro VII), the father of the bride, at Solo, Java, in January 1921. The dance is held in a pendhapa, a pillared audience hall with a peaked roof, with the Susuhunan on a throne in the middle of the room. The dance is performed ...
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
New cadets march during Reception Day at the U.S. Military Academy in West Point, N.Y., on June 27, 2016. Credit - Drew Angerer—Getty Images If you’re a member of the Society of Black ...
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
One can clearly identify many 'Chinese' characteristics in Joget Gamelan. For example, elements of the costume like the manner in which the sarong is tied, and the particularities of the unusual headdress are a clear deviation from other Malay classical dance costume styles and from Serimpi and Bedaya.