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Laurel and Hardy is a 1966–1967 American animated television series and an updated version of Stan Laurel and Oliver Hardy's comedic acts by the animation studio Hanna-Barbera and Larry Harmon Productions. [2] Harmon had been developing the series since 1961, while Stan Laurel was still alive, although Laurel had very little involvement. [3] [4]
Laurel and Hardy in the 1939 film The Flying Deuces. Their 1929 release Big Business is by far the most critically acclaimed of the silents. [67] Laurel and Hardy are Christmas tree salesmen who are drawn into a classic tit-for-tat battle, with a character played by James Finlayson, that eventually destroys his house and their car. [68]
Laurel and Hardy officially became a team the following year with their 11th silent short film, The Second Hundred Years (1927). [5] The pair remained with the Roach studio until 1940. [ 6 ] Between 1941 and 1945, they appeared in eight features and one short for 20th Century Fox and Metro-Goldwyn-Mayer . [ 7 ]
Busy Bodies is a 1933 short comedy film starring Laurel and Hardy. Plot Stan and Ollie embark on their journey to their new employment at the sawmill with a sense of ...
The Hoose-Gow (1929). Stan Laurel and Oliver Hardy find themselves embroiled in a comedic misadventure upon their arrival as new inmates at a prison, purportedly implicated in a hold-up raid, an assertion they vehemently deny to a prison officer, claiming mere bystander status.
After the release of MGM's hit The Big House with Chester Morris and Wallace Beery, producer Hal Roach decided to feature Laurel and Hardy in a short comedy spoofing the current prison drama. Roach felt that since his product was being released through MGM, he would be able to borrow existing sets used in The Big House to keep costs down.
The film is a reworking of a very early Laurel and Hardy silent comedy, Do Detectives Think? and would itself be somewhat reworked eleven years later in their final American film, The Bullfighters. [citation needed] The characters of Butch and his girlfriend are similar to their original film Any Old Port. [citation needed]
The three-reel version was the original one, as Hal Roach had tried to switch to the three-reel format for Laurel and Hardy shorts, starting with The Laurel-Hardy Murder Case. Just after it was completed, MGM asked Roach to limit short films to two reels, and an alternative ending was filmed.
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