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Sehra (سہرا) or prothalamion is a poem sung at a nikah (Muslim wedding) in praise of the groom, praying to God for his future wedded life. [1] Sehra is not the subject matter of folk songs alone, some of the prominent Urdu poets like Mirza Ghalib, Zauq and even Bahadur Shah Zafar too have composed sehras.
Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
This is a list of songs about Pakistan (known as Milli naghmay, Urdu: ملی نغمے) listed in alphabetical order. The list includes songs by current and former solo-singers and musical bands. The list includes songs by current and former solo-singers and musical bands.
Naʽat (Bengali: নাত and Urdu: نعت) is poetry in praise of the Islamic prophet, Muhammad. The practice is popular in South Asia (Bangladesh, Pakistan and India), commonly in Bengali, Punjabi, or Urdu. People who recite Naʽat are known as Naʽat Khawan or sanaʽa-khuaʽan.
"Bulleya" (Urdu: بللیہ transl. Oh! Bulleh Shah) is a song by the Pakistani sufi rock band Junoon, released in 1999. It is the first track from the band's fifth album, Parvaaz (1999), recorded at Abbey Road Studios, London and released on EMI Records. The song is a famous kafi written by the sufi saint Bulleh Shah.
Songs of Praise is a 1925 hymnal compiled by Percy Dearmer, Martin Shaw and Ralph Vaughan Williams. The popular English Hymnal of 1906 was considered too 'High church' by many people, and a new book on broader lines was indicated.
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.