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"Alison" was released as a single in the United Kingdom with a B-side of "Welcome to the Working Week", and as two singles in the United States; one with a mono version of the same song on the B-side, the other with "Miracle Man". The US (and Canadian) single versions of "Alison" are unique in that it is remixed to add a string section. [10]
"Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems. It forms part of the collection known as the Harley Lyrics, and exemplifies its best qualities. [1]
"Alison (C'est ma copine à moi)", often simply known as "Alison", is a 1992 song recorded by French singer Jordy Lemoine, credited as Jordy. It was released as the second single from his debut album, Pochette Surprise (1992).
Download as PDF; Printable version ... Love Letters" is a 1945 popular song with lyrics by Edward Heyman and music by Victor ... Elvis Presley (1966), and Alison ...
Alison! A Rock Opera is a musical with music and lyrics by playwright Leo Butler and Dan Persad. The modern rock 'n' roll song-cycle tells the story of ordinary woman Alison who breaks up with her boyfriend Jimmy and goes on a journey of self-discovery. "Yes, breaking up is hard to do.
"Roll It Gal" (otherwise known as "Roll It") is a song written by Shontelle Layne and Sheldon Benjamin, and originally recorded by soca singer Alison Hinds, taken from her debut album Soca Queen. The single was released by Hinds in 2005 in Barbados and in the United Kingdom in 2007. A music video was produced for Hinds' version of the song in ...
A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one. Unanimously approved by music critics , "Almost Blue" was noted for being a highlight on Imperial Bedroom ; Emerick's production on the track was also singled out by reviewers, who acclaimed his "aftermath" approach towards its composition.
The song was nominated for an Academy Award, a Grammy Award and the Golden Globe Award for Best Original Song. The song is a notable example of the modern use of a drone bass. Alison Krauss included it on her 2007 compilation, A Hundred Miles or More: A Collection and Sting re-recorded it for his 2010 album, Symphonicities. [1]