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The oppositional gaze is a term coined by bell hooks the 1992 essay The Oppositional Gaze: Black Female Spectators that refers to the power of looking. According to hooks, an oppositional gaze is a way that a Black person in a subordinate position communicates their status. hooks' essay is a work of feminist film theory that discusses the male gaze, Michel Foucault, and white feminism in film ...
The gaze can be understood in psychological terms: "to gaze implies more than to look at – it signifies a psychological relationship of power, in which the gazer is superior to the object of the gaze." [4] In Practices of Looking: An Introduction to Visual Culture (2009), Marita Sturken and Lisa Cartwright said that "the gaze is [conceptually ...
The focus of hooks' writing was to explore the intersectionality of race, capitalism, and gender, and what she described as their ability to produce and perpetuate systems of oppression and class domination. She published around 40 books, including works that ranged from essays, poetry, and children's books.
That the gaze dehumanizes women into objects of desire is a psychological component of male and female sexuality in Western culture; [33] thus, "men do not simply look; [but] their gaze carries with it the power of action and of possession, which is lacking in the female gaze. Women receive and return a gaze, but cannot act upon it."
People who write with connected letters are associated with being logical and systematic. Crossing the very top of the 'T' generally means that you have good self-esteem, are optimistic and ambitious.
The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such, people of any gender can create films with a female gaze.
The matrixial gaze offers the female the position of a subject, not of an object, of the gaze, while deconstructing the structure of the subject itself, and offers border-time, border-space and a possibility for compassion and witnessing. Ettinger's notions articulate the links between aesthetics, ethics and trauma. [18]
Looking at Gaze (disambiguation), we also see gaze (physiology) and that might make more sense from a plain-English perspective as the first-line article, with gaze (visual theory) as perhaps the main name of this article, with redirects from gaze (art theory) or gaze (film theory) and gaze (theory). I say "almost agree", though, because "gaze ...