Search results
Results from the WOW.Com Content Network
Anthony Van Dyck (19 May 2016 – 3 November 2020) [2] was an Irish Thoroughbred racehorse, best known for winning the 2019 Epsom Derby. He was a top-class two-year-old in 2018 when he won three of his seven races including the Tyros Stakes and the Futurity Stakes as well as finishing second in the National Stakes and third in the Dewhurst Stakes .
The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
Prime version of van Dyck's first equestrian painting of Charles I, Charles I with M. de St Antoine, 1633 Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.
Equestrian Portrait of Thomas Francis, Prince of Carignano is a 1634 painting by Anthony van Dyck, now in the Galleria Sabauda in Turin. It shows Thomas Francis, Prince of Carignano on a prancing horse, as an allegory of his holding the reins of command even in difficult moments. [1]
The Futurity Stakes is a Group 2 flat horse race in Ireland open to two-year-old ... Anthony Van Dyck (2018), Armory (2019), Point Lonsdale (2021), Aesop's Fables ...
References: L'opera completa di Van Dyck, 828 ; Alle tot nu toe bekende schilderijen van Van Dyck, 759; Van Dyck catalog raisonné, 1909, 341; 100 great paintings : Duccio to Picasso : European paintings from the 14th to the 20th century, 56
Feb. 25—In 1941, there were 95 mail routes in Spokane and five still used horse-drawn mail carts traveling the city's streets, including two in the downtown area. Mail superintendent John O ...
A later Baroque treatment of the subject: Anthony van Dyck's Portrait of Charles V on Horseback (1620) The painting contains a mix of styles; passages such as the armor and harness display the realism of Titian's early work, while the trees, landscape and sky are built from the broad stretches of colour and strong brushstrokes associated with his work from the 1540s on. [8]