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Vietnamese ballad and bolero music such at those from Paris by Night or from Vietnamese music productions in Vietnam still remain one of the most popular genres of slow-tempo music for Vietnamese people. Some examples are Love in the sunshine by Trish Thuy Trang and Unforgettable love by Ho Quynh Huong.
By the 1930s, when Trío Matamoros made famous their mix of bolero and son cubano known as bolero-son, the genre was a staple of the musical repertoire of most Latin American countries. [10] In Spain, Cuban bolero was incorporated into the copla repertoire with added elements from Andalusian music , giving rise to the so-called bolero moruno ...
A Ca trù performance. Ca trù (Vietnamese: [kaː ʈû], 歌籌, "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. [1]
On November 5, Vu Cat Tuong released the lead single of her new EP - "Hành Tinh Ánh Sáng" (Planet of light). Then on November 18, her first EP "Một Triệu Năm Ánh Sáng" (One Million Light Years) released in both digital and physical versions. Before the EP was released, it was on the No.1 of the most pre-ordered albums on Apple Music ...
For several years Truc Ho has been an activist for human rights and democracy in Vietnam. [1] His liberal-conservative campaign named "One Million Hearts, One Voice" collected over 135,000 signatures from 63 nations on a petition to be presented to the U.N. Human Rights Council.
During the 1970s, V-pop was limited to Nhạc trẻ Sài Gòn (Youth music of Saigon, now called Ho Chi Minh City) or Kích động nhạc (Exciting music). After 1975, the Nhạc trẻ Sài Gòn scene, which encompasses vibrant, fun folk songs, was outlawed. [1]
The melodies of xẩm are borrowed from different types of Vietnamese folk music such as trống quân, quan họ, chèo or lullabies.Themes of xẩm songs are often drawn from popular stories, poems and legends in Vietnam like Truyện Kiều, Lục Vân Tiên, Thạch Sanh or Nhị độ mai.
The overall key of the Boléro is difficult to establish. [citation needed] It was often listed as Boléro in C major - A minor, [citation needed] as the work opens with three unison octaves in G (dominant chords of C major) in fortissimo, then a lengthy introduction in C major, moving to A minor (the relative minor of C major) for the Boléro proper.