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The sole surviving manuscript of "The Plowman's Tale" (written in a 16th-century hand) was inserted at the end of The Canterbury Tales in a copy of Thomas Godfrey/Godfray's 1532 printed edition of Chaucer's Works (STC 5068), edited by William Thynne. (This is in PR 1850 1532 cop. 1 at the University of Texas Harry Ransom Center.)
Central themes of the book are their opposing views on life, mankind, and morality. The work also represents a concept of marriage as a communion of love, a notion not generally accepted at the time. The work consists of 34 short chapters. In odd-numbered chapters the ploughman accuses Death of robbing him of his beloved young wife.
A Lytell Geste how the Plowman lerned his Pater Noster (c. 1510), printed by Wynkyn de Worde and in circulation as late as 1560 and 1582. In it a Catholic priest is the figure of right religion while the plowman is an avaricious ignoramus. Perhaps broad sympathy for this point of view explains why Piers Plowman was not printed until 1550.
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19:57, 2 July 2022: 1,600 × 712 (272 KB) Cielquiparle: Uploaded a work by University of Toronto Scanning Center from Paradise lost as originally published by John Milton: being a facsimile reproduction of the first ed with UploadWizard
The Archangel Raphael with Adam and Eve (Illustration to Milton's "Paradise Lost"), William Blake (1808). Raphael is an archangel who is sent by God to Eden in order to strengthen Adam and Eve against Satan. He tells a heroic tale about the War in Heaven that takes up most of Book 6 of Paradise Lost. Ultimately, the story told by Raphael, in ...
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"Langland's Dreamer": from an illuminated initial in a Piers Plowman manuscript held at Corpus Christi College, Oxford. William Langland (/ ˈ l æ ŋ l ə n d /; Latin: Willielmus de Langland; c. 1330 – c. 1386) is the presumed author of a work of Middle English alliterative verse generally known as Piers Plowman, an allegory with a complex variety of religious themes.