Search results
Results from the WOW.Com Content Network
A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. [5] [6] Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the highest, plays a distinct melody, and the accompanying voices work together to articulate an underlying ...
Venn diagram showing the relationships between homophones (blue circle) and related linguistic concepts. A homophone (/ ˈ h ɒ m ə f oʊ n, ˈ h oʊ m ə-/) is a word that is pronounced the same as another word but differs in meaning or in spelling.
homophony. A musical texture with one voice (or melody line) accompanied by chords; also used as an adjective (homophonic). Compare with polyphony ...
Homophony − in music is a texture in which multiple voices move together in harmony. Homophony (writing) − in a theory of writing systems is one of the forms of phonogram. Homophonic substitution cipher − a cipher that disguises plaintext letter frequencies by homophony: 'e' is given more homophonic ciphertext symbols than 'z'.
English is rich in homophony. Of forty-four English language sound combinations, listed in one dictionary, thirty-nine of them have more than two signs, and only one of them has one sign. The English consonant sound represented in IPA as / k / has these homophones: c ar, k ill, a cc ount, ba cch anal, ch ara c ter, ba ck , ac qu aint, la cqu er ...
Homorhythm is a condition of homophony. [2] All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture. Homorhythmic texture delivers lyrics with clarity and emphasis. Texture in which parts have different rhythms is heterorythmic or heterometric.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1]
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).