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The rave movement developed a new graphic art style partially influenced by 1960s psychedelic poster art, but also strongly influenced by graffiti art, and by 1970s advertising art, yet clearly defined by what digital art and computer graphics software and home computers had to offer at the time of creation.
In 2002, Holland Cotter, New York Times art critic wrote, "Alex Grey's art, with its New Age symbolism and medical-illustration finesse, might be described as psychedelic realism, a kind of clinical approach to cosmic consciousness. In it, the human figure is rendered transparently with X-ray or CAT-scan eyes, the way Aldous Huxley saw a leaf ...
Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
This paint pouring technique creates the wildest effect on the canvas.
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Peter Max (born Peter Max Finkelstein, October 19, 1937) is an American artist known for using bright colors in his work.Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
Cyberdelic art was created by calculating fractal objects and representing the results as still images, animations, underground, algorithmic music, or other media. Cyberdelic rave dance parties featured psychedelic trance music alongside laser light shows , projected images, and artificial fog , while attendees often used club drugs .