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Ornamental Dingbats is a Unicode block containing ornamental leaves, punctuation, and ampersands, quilt squares, and checkerboard patterns. It is a subset of dingbat fonts Webdings , Wingdings , and Wingdings 2 .
Christmas ornaments, baubles, globes, "Christmas bulbs", or "Christmas bubbles" are decoration items, usually to decorate Christmas trees. These decorations may be woven, blown (glass or plastic), molded (ceramic or metal), carved from wood or expanded polystyrene, or made by other techniques. Ornaments are available in a variety of geometric ...
Τypographic ornament in ancient city of Kamiros on Rhodes, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]
Poem typeset with generous use of decorative dingbats around the edges (1880s). Dingbats are not part of the text. In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames (similar to box-drawing characters), or as a dinkus (section divider).
He designed furniture, mantelpieces, ceilings, chandeliers, doors and mural ornament with equal felicity, and as an artist in plaster work in low relief he was unapproached in his day. [ 1 ] He delighted in urns and sphinxes and interlaced gryphons , in amorini with bows and torches, in trophies of musical instruments and martial weapons, and ...
Furthermore, architectural ornament can serve the practical purpose of establishing scale, signaling entries, and aiding wayfinding, and these useful design tactics had been outlawed. And by the mid-1950s, modernist figureheads Le Corbusier and Marcel Breuer had been breaking their own rules by producing highly expressive, sculptural concrete work.
In Chinese carved lacquer, a convention developed by which the areas of sky, water and floor or ground that would be left largely blank in paintings are filled in with discreet patterns derived from textiles, known as "diaper backgrounds" and also "brocade-grounds" (錦地 jǐndì, lit. ‘embroidery[-like] background’); this convention has ...
Theory and Design in the First Machine Age, Characteristic attitudes and themes of European artists and architects, 1900–1930. Siegfried Giedion. Space, Time and Architecture: The Growth of a New Tradition. Adolf Loos, "Ornament und Verbrechen" Adolf Loos: Sämtliche Schriften in zwei Bänden – Erster Band, Vienna, 1962. Joseph Rykwert.
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