Search results
Results from the WOW.Com Content Network
In 1820, Wordsworth issued The Miscellaneous Poems of William Wordsworth that collected the poems he wished to be preserved with an emphasis on ordering the poems, revising the text, and including prose that would provide the theory behind the text. The ode was the final poem of the fourth and final book, and it had its own title-page ...
A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5] Finally, the full context of the poem might be analyzed in order to shed further light on the text, looking at such aspects as the author's biography and ...
The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
The framing device is the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (lines 1–27), the second part (lines 28–121) and the third part (lines 122–156). [1]
"O Fortuna" in the Carmina Burana manuscript (Bavarian State Library; the poem occupies the last six lines on the page, along with the overrun at bottom right. "O Fortuna" is a medieval Latin Goliardic poem which is part of the collection known as the Carmina Burana, written in the early 13th century.
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.
The composition of The Phoenix dates from the ninth century. Although the text is complete, it has been edited and translated many times. It is a part of the Exeter Book contained within folios 55b-65b, [1] and is a story based on three main sources: Carmen de ave phoenice by Lactantius (early fourth century), the Bible, and Hexaemeron by Ambrose.
Hughes was a huge proponent of creating a separate black identity and art, hence the extreme antipathy within "Note on Commercial Theatre" to black culture being absorbed by whites. This is reflected in his use of an experimental form for his poem; there is a lack of rhyme scheme and no discernible rhythm to the lines.