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Jintishi – literally "Modern Poetry", was actually composed from the 5th century onwards and is considered to have been fully developed by the early Tang dynasty. The works were principally written in five- and seven-character lines and involve constrained tone patterns, intended to balance the four tones of Middle Chinese within each couplet.
The first page of Beowulf. The earliest known English poem is a hymn on the creation; Bede attributes this to Cædmon (fl. 658–680), who was, according to legend, an illiterate herdsman who produced extemporaneous poetry at a monastery at Whitby.
Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous.
Instructional design (ID), also known as instructional systems design and originally known as instructional systems development (ISD), is the practice of systematically designing, developing and delivering instructional materials and experiences, both digital and physical, in a consistent and reliable fashion toward an efficient, effective, appealing, engaging and inspiring acquisition of ...
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A writing process is a set of mental and physical steps that someone takes to create any type of text. Almost always, these activities require inscription equipment, either digital or physical: chisels, pencils, brushes, chalk, dyes, keyboards, touchscreens, etc.; each of these tools has unique affordances that influence writers' workflows. [1]
Modern Scottish Poetry (Faber) The New American Poetry 1945-1960; The New British Poetry; New Oxford Book of English Verse 1250-1950; New Poets of England and America; The New Poetry, A. Alvarez ed. New Provinces, F.R. Scott ed. Other: British and Irish Poetry since 1970; Oxford Book of Contemporary Verse; Oxford Book of English Mystical Verse
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.
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