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Chorus: John 1:29: Testimony of John the Baptist: 23 / 20: He was despised and rejected by men of sorrows He gave his back to his smiters: Air A: Isaiah 53:3 Isaiah 50:6: Songs of the suffering servant 4, 3: 24 / 21: Surely, He hath borne our griefs and carried our sorrows: Chorus: Isaiah 53:4–5: Man of Sorrows, 4 continued 25 / 22: And with ...
A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in Hallelujah and the final chorus "Worthy is the Lamb". [111]
The dotted rhythm returns in instruments and voices in the chorus "Surely, He hath borne our griefs and carried our sorrows", the continuation of Isaiah's text, set in F minor. The chorus continues with the remainder of Isaiah 53:5 and ends on the words "the chastisement of our peace was upon him".
'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2) Scene 1: Royal apartments in Babylon. Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews.
The concept of Mass derived from three sources: Bernstein's experience conducting at Robert F. Kennedy's funeral in 1968 in St. Patrick's Cathedral, Manhattan; the Beethoven bicentenary in Vienna in 1970; and a small piece "A Simple Song" he wrote for Franco Zeffirelli's 1972 film Brother Sun, Sister Moon before withdrawing from that project after three months during which time he worked with ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
After five years of radio silence, Paramore returns more popular than ever before — and they’ve forged an album to match their now-supersized status, refurbishing fear and fury for arena stages.
New York Stories is a trilogy of English-language one-act operas (Broken Pieces, Just for the Night, and Cradle Song) by Daron Hagen, with a libretto by Hagen and Barbara Grecki first performed in its entirety by Kentucky Opera in Louisville, Kentucky, on 30 October 2010.