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Paula Vogel (born November 16, 1951) is an American playwright. She is known for her provocative explorations of complex social and political issues. Much of her work delves into themes of psychological trauma, abuse, and the complexities of human relationships. She has received the Pulitzer Prize as well as nominations for two Tony Awards.
This is a list of all films produced by Full Moon Features. Note that this does not include any films that were produced by Charles Band prior to the creation of Full Moon, even though Full Moon now distributes some of them, such as Trancers. For a list of these pre-Full Moon productions, see Empire Pictures filmography.
Full Moon Features is an American independent motion picture production and distribution company headed by B-movie veteran Charles Band.It is known for the direct-to-video series Puppet Master, Trancers, and Subspecies, as well as the film Castle Freak and the VideoZone featurette through 1989 to 2013.
How I Learned to Drive is a play written by American playwright Paula Vogel. The play premiered on March 16, 1997, Off-Broadway at the Vineyard Theatre. Vogel received the 1998 Pulitzer Prize for Drama for the work. It was written and developed at the Perseverance Theatre in Juneau, Alaska, with Molly Smith as artistic director.
The play was Vogel's response to the 1988 death of her brother Carl, who died from complications due to AIDS before they were able to enjoy a long planned European vacation. [3] [4] Vogel wrote the play during summer 1989 at the MacDowell Colony, New Hampshire. The play is dedicated To the memory of Carl - because I cannot sew.
Mother Play – A Play in Five Evictions is a dramatic stage play written by American playwright Paula Vogel. The play debuted on Broadway at the Hayes Theater on April 25, 2024 as part of Second Stage Theater 's 2023–2024 season starring Jessica Lange , Celia Keenan-Bolger , and Jim Parsons .
Notable productions include those at the Studio Theatre (Washington, D.C.). Many of these productions have honored Vogel's assertion that the play, while partly about Christmas, is not meant as a seasonal "Christmas play" (unlike, for example, adaptations of Charles Dickens' A Christmas Carol). Therefore, like the world and New York City ...
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