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"With a Smile" is a song by the Philippine alternative rock band Eraserheads from their second album Circus (1993). It was later released in May 1999 as a promotional single for their compilation album Aloha Milkyway , released in 1998 for the Southeast Asian market.
Eraserheads during the Huling El Bimbo reunion concert in 2022. This is a list of every song ever released by Philippine alternative rock band Eraserheads. It gives information about songwriter(s), length, original release, and year of release. It contains all the songs of the previously released albums, singles and EPs, and all B-sides.
Fruitcake is the fourth studio album by the Philippine alternative rock band Eraserheads, released on December 6, 1996 by BMG Records (Pilipinas), Inc.. A Christmas concept album recorded in English, it tells the story of a little girl’s journey through Fruitcake Heights.
“Small Room” is an instrumental filler by Marasigan that samples several Eraserheads songs. [ 5 ] Aloha Milkyway also features select English language tracks from the band's previous albums Fruitcake (1996) and Sticker Happy (1997) as well as " With a Smile " from Circus (1994), which was also released as a single.
Natin99 is the sixth studio album by the Philippine alternative rock band Eraserheads, released on May 18, 1999 by BMG Records (Pilipinas), Inc.. The album was recorded in a nonlinear approach, with the members recording their individual parts separately and mixing them together in the studio.
The Music of the Eraserheads in 2005. The band performed the song during their reunion concert in 2022 with the rapper as a hologram, joined by his sons Elmo and Arkin and Buendia's son Eon. [4] "Superproxy" was also covered by Razorback and Gloc-9 for The Reunion: An Eraserheads Tribute Album (2012) and of Mercury, Sofia Ines and Alex Bruce in ...
Adoro's style of lead guitar was a very significant piece to the Eraserheads' sound, and to a greater extent, using takamine, Gibson and Yamaha the sound that came to define Pinoy alternative rock. His minimalist approach contrasted with the "flashier" style of most local guitarists of the time. Instead of long, epic solos, Adoro preferred ...
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