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Holy Defense cinema (Persian: سینمای دفاع مقدس, romanized: Sīnimā-yi Difā'-i Muqaddas) refers to a genre of Iranian films that deals with various aspects of the Iran-Iraq war of 1980–1988. [1] Although little noticed in the West, the genre has produced more than 200 movies, including some critical and commercial hits.
Kanimanga is an Iranian war movie directed by Seifollah Dad. The film's second cinematic effects built in 1987 (1366 AH) and released longest in the history of Iranian cinema theater with 15 years. The film's second cinematic effects built in 1987 (1366 AH) and released longest in the history of Iranian cinema theater with 15 years.
Walnut Tree (Persian: درخت گردو, romanized: Derakht-e Gerdoo) is a 2020 Iranian biographical war drama film directed by Mohammad Hossein Mahdavian and written by Ebrahim Amini and Hossein Hassani. [1] it revolves around the Chemical bombing of Sardasht of 1987.
The Immigrant [1] (Persian: مهاجر, romanized: Mohājer) is a 1990 Iranian film by the director Ebrahim Hatamikia. The movie is set in the Mesopotamian Marshes during the Iran–Iraq War , and is a fictional look at the deployment of the early generation of Qods Mohajer drone fighters on the battlefield.
A list of films produced in Iran ordered by year of release. For an alphabetical list of Iranian films see Category:Iranian films. List of Iranian films before 1960; List of Iranian films of the 1960s; List of Iranian films of the 1970s; List of Iranian films of the 1980s; List of Iranian films of the 1990s; List of Iranian films of the 2000s
Eagles (Persian: عقابها) is a 1985 Iranian film about an Iranian pilot, Yadollah Sharifirad, whose aircraft shot down by Iraqi Air Force during Iran–Iraq War. [1] The story is about his escape back to Iran. This movie is considered the first major war movie in Iranian cinema. It is estimated that 18 percent of Iranian population ...
Oboor (Persian: عبور, Crossing or Transition in English) is a 1989 film by the Iranian director Kamal Tabrizi. Tabrizi also wrote the script. Tabrizi also wrote the script. Set during the Iran-Iraq war , the film is an example of Sacred Defence cinema , a genre of Iranian films depicting the 1980–1988 war's impact on Iran.