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Digital Compact Cassette (DCC), a magnetic tape sound recording format introduced by Philips and Matsushita in late 1992 and marketed as the successor to the standard analog Compact Cassette; NT (cassette), a small cassette tape created by Sony that was smaller than a Picocassette only used for dictation machines but had plans to be used in music
The technology seemed promising for analogue audio recording; however, very thin metal evaporated layers were too fragile for consumer cassette decks, the coatings too thin for good MOL, [79] and manufacturing costs were prohibitively high. Panasonic Type I, Type II and Type IV metal evaporated cassettes, introduced in 1984, were sold for only ...
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
The original standard MC60 microcassette contained 43.2 m (142 ft) of tape for 30 minutes recording per side at 2.4 cm/s (about 15 ⁄ 16 ips, making it half the standard speed of a compact cassette). Most recorders also provide a slower speed of 1.2 cm/s, doubling the recording time but with poor sound quality. The only other common sizes are ...
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
Equal to 8-track tape and Stereo-Pak, the tape runs at a standard speed of 3.75 inches per second (IPS). [5] This is double the speed of the Compact Cassette and half of the top speed of consumer reel-to-reel tape recorders, which usually offer both 3.75 IPS and 7.5 IPS speeds.
The microcassette was beaten to market by the Mini-Cassette, introduced by Philips in 1967. The mini-cassette is almost identical in appearance and dimensions to the microcassette, however it has thicker cogs for its reels and a slightly wider cassette. The mini-cassette, despite making it to market first, was less successful than the ...
Digital audio cassette formats introduced to the professional audio and consumer markets: Digital Audio Tape (or DAT) is the most well-known, and had some success as an audio storage format among professionals and "prosumers" before the prices of hard drive and solid-state flash memory-based digital recording devices
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