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Liuli Gongfang or Liuligongfang (Chinese: 琉璃工房; pinyin: Liúlí Gōngfáng) is Taiwan's only contemporary glass studio devoted to artistic Chinese glassware. Liuligongfang was founded in 1987 by actress Loretta Yang and director Chang Yi . [ 1 ]
Ustad Shafiq-Uz-Zaman Khan (Urdu استاد شفیق الزماں خان a famous Pakistani calligrapher and head of restoring art at Masjid an-Nabawi the second holiest site of Muslims in the world. [1] He was born in Rawalpindi 2 November 1956 and grew up in Karachi Pakistan. [2] He is inspired by famous Turkish calligrapher Hamid Aytaç.
Farida Zaman (born 1953) is a Bangladeshi artist and illustrator. [1] She is the chairman and professor of the department of Drawing and Painting at the Faculty of Fine Arts, University of Dhaka. [2] In recognition of her contribution in art, the government of Bangladesh awarded her the country's second highest civilian award Ekushey Padak in ...
Although the concept of "Islamic art" has been put into question by some modern art historians as a construct of Western cultural views, [9] [10] [11] the similarities between art produced at widely different times and places in the Muslim world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use as a useful ...
In 2020, the Indonesian dangdut artists performed "Dengan Menyebut Nama Allah" as part of Satu Indonesia charity concert, held on 10 May. [43] Nathalie Holscher, Sule's wife, covered "Dengan Menyebut Nama Allah" in April 2021 at the time of conflicts between her and her husband, which began in October 2020. [44]
Mohammad Zaman's depiction of the tale of Bahram Gur and the Indian Princess features wingless faeries, different from other depictions of the scene. The text adjacent to the image is a section of the Tale of the Indian Princess, which ends with a description of food and wine for a banquet in the King and Queen's pavilion.
Ustad Allah Bakhsh (c. 1895 – 18 October 1978; sometimes spelled Allah Bux or Allah Bukhsh) was a Pakistani painter and calligrapher who was actively involved in aesthetics and classical landscape paintings throughout his life. He produced his work in British India before partition and in Pakistan after split of Indian subcontinent
Some of the collection's textiles have explicitly religious purposes: a North African silk panel repeats the name of Allah hundreds of times and a carpet was used as a mihrab (prayer niche). [73] The Dhulfaqar , a double-bladed sword said to have been taken in the battle of Badr , is a motif appearing on two Ottoman banners.