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Ven. Thich Nhat Tu or Thích Nhật Từ (釋日慈) in Vietnamese (Saigon, 1969) is a Vietnamese Buddhist reformer, an author, a poet, a psychological consultant, and an active social activist in Vietnam. [1]
Nhất nghệ tinh; Truyền hình thời đại số; Một vòng Online; Đi và trải nghiệm; Tôi khác mỗi ngày; Hành trình tri thức Việt; Tư vấn sức khỏe; Thông điệp từ quá khứ; Thị trường chứng khoán; Nốt nhạc trẻ; Thương hiệu Việt; Thương hiệu và thị trường; Mỗi ngày 1 phong ...
Tự Đức (Hanoi: [tɨ˧˨ ɗɨk̚˧˦], chữ Hán: 嗣 德, lit. ' inheritance of virtues ', 22 September 1829 – 19 July 1883) (personal name: Nguyễn Phúc Hồng Nhậm, also Nguyễn Phúc Thì) was the fourth and last pre-colonial emperor of the Nguyễn dynasty of Vietnam; he ruled from 1847 to 1883.
As from Nhật thực, Hà was called as one of 4 divas of Vietnamese music. Nevertheless, after success of the first show, dispute arose among the members of the show, Ngọc Đại – Trần Thu Hà – Vi Thuỳ Linh. As a result, after Nhật thực 1, Trần Thu Hà announced to the press that she had quit Nhat thuc.
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
^c Dương Nhật Lễ was only adopted son of Prince Cung Túc, so he did not bear the family name Trần like other emperors of the Trần dynasty. [27] ^d The second elder brother of Lê Thái Tổ was Grand Duke Lam Lê Trừ whose son was Grand Duke Quỳ Lê Khang. Lê Khang was the great-great-grandfather of the emperor Lê Anh Tông.
The sapèqueries of Đại Nam under Emperor Tự Đức were operated by the Hanoi Office of Current Money (河內通寶局, "Hà-Nội Thông Bảo Cục") which replaced the former Office of Currency (Bảo Tuyền Cục) and the Capital Office of Currency (Bảo Hoá Kinh Cục), and the main sapèqueries were located in Huế while mints were also in operation in Hanoi, Sơn Tây, and ...
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...