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The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i. "Maxims I" and "Maxims II" are classified as wisdom poetry, being both influenced by wisdom literature, such as the Havamal of ancient Germanic literature. Although they are separate poems of ...
The Maxims of Ptahhotep or Instruction of Ptahhotep is an ancient Egyptian literary composition by the Vizier Ptahhotep around 2375–2350 BC, during the rule of King Djedkare Isesi of the Fifth Dynasty. [1] The text was discovered in Thebes in 1847 by Egyptologist M. Prisse d'Avennes. [2]
A single program deck, with individual subroutines marked. The markings show the effects of editing, as cards are replaced or reordered. Many early programming languages, including FORTRAN, COBOL and the various IBM assembler languages, used only the first 72 columns of a card – a tradition that traces back to the IBM 711 card reader used on the IBM 704/709/7090/7094 series (especially the ...
The first maxim, "know thyself", has been called "by far the most significant of the three maxims, both in ancient and modern times". [14] In its earliest appearances in ancient literature, it was interpreted to mean that one should understand one's limitations and know one's place in the social scale. [ 15 ]
As a literary genre the chreia was a subject of collection. Scholars such as Plutarch or Seneca kept their own private collections of chreiai. Published collections were also available. The chreia is primarily known, however, for its role in education. Students were introduced to simple chreiai almost as soon as they could read.
A similar literary genre recurred in 1150 within the Libri Quattuor Sententiarum (The Four Books of Sentences) of Peter Lombard, a book which was widely commented during the Middle Age, namely by Saint Thomas Aquinas [8] and Saint Bonaventura. [9] There is a classical, Roman novel written by Publilius Syrus. The book is a series of proverbs ...
Critics have aptly borrowed those terms to characterize the difference between Mr. Beckett, for example, and his erstwhile master James Joyce, himself a maximalist except in his early works. [3] Takayoshi Ishiwari elaborates on Barth's definition by including a postmodern approach to the notion of authenticity. Thus:
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis.