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"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. [2]
"The Hollow Men" appeared in 1925. For the critic Edmund Wilson, it marked "The nadir of the phase of despair and desolation given such effective expression in 'The Waste Land'." [78] It is Eliot's major poem of the late 1920s. Similar to Eliot's other works, its themes are overlapping and fragmentary.
The character of Doris also appears with Sweeney in the poem "Sweeney Erect" [5] and Eliot used the name Doris in a collection of three poems published in November 1924 in Chapbook magazine. The third of "Doris's Dream Songs" ("This is the dead land/This is the cactus land") was later incorporated into Eliot's poem "The Hollow Men". [6]
The following is a list of books of poetry by T. S. Eliot arranged chronologically by first edition. [Note 1] Some of Eliot's poems were first published in booklet or pamphlet format (such as his Ariel poems.) Prufrock and Other Observations. London: Egoist. 1917. Poems. Richmond, Surrey: The Hogarth Press. 1919. Ara Vos Prec. London: Ovid ...
Eliot is known to have collected poems and fragments of poems to produce new works. This is most clearly seen in his poems "The Hollow Men" and "Ash-Wednesday" where he incorporated previously published poems to become sections of a larger work. Three of the five sections comprising "Ash-Wednesday" had already been published earlier as separate ...
In 1912, Eliot revised the poem and included a 38-line section now called "Prufrock's Pervigilium" which was inserted on those blank pages, and intended as a middle section for the poem. [10] However, Eliot removed this section soon after seeking the advice of his fellow Harvard acquaintance and poet Conrad Aiken. [12]
T. S. Eliot in 1934. In 1925, Eliot became a poetry editor at the London publishing firm of Faber & Gwyer, Ltd., [1]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922).
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