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Richard Ellmann, in his review of Station Island for The New York Review of Books, praised the collection writing, "Many of these poems have a tough rind as though the author knew that for his purposes deferred comprehension was better than instant. Obliquity suits him. Heaney's talent, a prodigious one, is exfoliating and augmenting here." [10]
The book is a collection of Seamus Heaney's poems published between 1966 and 1996. It includes poems from Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), Stations (1975), North (1975), Field Work (1979), Station Island (1984), The Haw Lantern (1987), Seeing Things (1991), and The Spirit Level (1996).
Seamus Justin Heaney MRIA (13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator.He received the 1995 Nobel Prize in Literature.Among his best-known works is Death of a Naturalist (1966), his first major published volume.
Stations is a collection of prose poems by Seamus Heaney, who received the 1995 Nobel Prize in Literature.It was published in 1975. [1] [2]This particular collection presents a style of writing which was then new to Heaney, known as "verse paragraphs" or prose poems.
District and Circle is a poetry collection by Seamus Heaney, who received the 1995 Nobel Prize in Literature.It was published in 2006 and won the 2006 T. S. Eliot Prize, the most prestigious poetry award in the UK.
All of Heaney's poetry collections are performed except his final one, Human Chain, which was published in the following year. The poems are presented in the chronological order of Heaney's first eleven poetry collections. [note 1] A 58-page by Irish poet Peter Sirr is included in a booklet.
In the New York Review of Books, Al Alvarez calls Heaney an “intensely literary writer” and writes that the “reticence and self-containment” seen in North are not present in Field Work." Despite complimenting Heaney’s “real strength and originality” in “modest, perfect little poems," the review was notably unfavorable.
In the preface, Heaney states his editor, Paul Keegan, encouraged him to create the book. Numerous essays in the book were previously published in earlier collections, namely 1980 Preoccupations, [2] 1988 The Government of the Tongue, 1995 The Redress of Poetry, and the 1989 collection of "Richard Ellmann Lectures in Modern Literature" given in Emory University titled The Place of Writing.