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The music video, directed by Phil Harder, [5] features various shots mixed against a drawn and partially colored city background, interspliced with shots of Thomas singing the song. The music video features Wilmer Valderrama. Wilmer's character is a dove keeper who writes messages of hope and attaches them onto the doves legs before allowing ...
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Forever and Ever (Demis Roussos album) or the title song (see below), 1973 Forever and Ever – 40 Greatest Hits, by Demis Roussos, 1998; Forever and Ever – Definitive Collection, by Demis Roussos, 2002; Forever and Ever, 1998; Forever and Ever (Howard Hewett album) or the title song, 1988; Forever and Ever (Champion Jack Dupree album), 1991
"Forever" is a song by Canadian singer Justin Bieber featuring American rappers Post Malone and Clever. This track marks Bieber and Malone's second collaboration, following Bieber's feature on Malone's 2016 single " Deja Vu ", from his debut studio album Stoney (2016).
"Forever Country" is a 2016 mashup performed by Artists of Then, Now & Forever, a one-time gathering of 30 American country music artists. The song combines elements of three previous country hits: John Denver's "Take Me Home, Country Roads" (1971), Willie Nelson's "On the Road Again" (1979), and Dolly Parton's "I Will Always Love You" (1973).
He can also approximate the way chords are played on piano by using his invented tuning, the Gambale Tuning, in which "the whole guitar is tuned up a fourth, but the top two strings are down an octave" (A, D, G, C, E, A, low to high).
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Critics said "Forever" shared similarities with American music from the 1950s [5] [11] and 1960s. [14] [15] According to biographer Chris Nickson, this is displayed by the song's chord changes and prominent guitar arpeggios. [16] In the Jackson Citizen Patriot, Chris Jorgensen judged it as a homage to the Motown sound. [15]