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The list includes technologies that were first posited in non-fiction works before their appearance in science fiction and subsequent invention, such as ion thruster. To avoid repetitions, the list excludes film adaptations of prior literature containing the same predictions, such as " The Minority Report ".
All of the films include core elements of science fiction, but can cross into other genres such as drama, mystery, action, horror, fantasy, and comedy. Among the listed movies are films that have won motion-picture and science fiction awards as well as films that have been listed among the worst movies ever made , or have won one or more Golden ...
Collectively, the science fiction films from the 1980s have received 14 Academy Awards, 11 Saturn Awards, six Hugo Awards, five BAFTA awards, four BSFA Awards, and one Golden Globe Award. Four of these movies were the highest-grossing films of their respective years of release.
The boom in great science fiction movies makes it impossible to share all the truly great ones, so we worked on a list of 20, which includes several franchises. Ahead, the best sci-fi cinema you ...
Without further ado, here are the 50 best science fiction movies of the 21st century. Samantha Bergeson, Christian Blauvelt, David Ehrlich, Ryan Lattanzio, Noel Murray, Zack Sharf, Graham Winfrey ...
Lights of New York, directed by Bryan Foy is the first all talking feature film. [45] Wings, directed by William A. Wellman is the first film to win the Academy Award for Best Picture. The Viking is the first feature-length film in color with sound (music and sound effects only). [citation needed]
John Baxter, Science Fiction in the Cinema, A S Barnes & Co, 1969, ISBN 0-498-07416-1. Welch Everman, Cult Science Fiction Films, Citadel Press, 1995, ISBN 0-8065-1602-X. Peter Guttmacher, Legendary Sci-Fi Movies, 1997, ISBN 1-56799-490-3. Phil Hardy, The Overlook Film Encyclopedia, Science Fiction.
According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.