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The term chromatic inflection (alternatively spelt inflexion) is used in two senses: Alteration of a note that makes it (or the harmony that includes it) chromatic rather than diatonic. [36] Melodic movement between a diatonic note and a chromatically altered variant (from C to C ♯ in G major, or vice versa, for example). [37]
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
Most likely, it refers to the intervals being "stretched out" in that tuning, in contrast to the other two genera (chromatic and enharmonic). This article does not concern alternative seven-note scales such as the harmonic minor or the melodic minor which, although sometimes called "diatonic", do not fulfill the condition of maximal separation ...
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...
The diatonic genus is composed of tones and semitones, the chromatic genus is composed of semitones and a minor third, the enharmonic genus consists of a major third and two quarter-tones or diesis. [16] Within these basic forms, the intervals of the chromatic and diatonic genera were varied further by three and two "shades" (chroai ...
Chromatic harmonicas are traditionally tuned to solo tuning, which has a similar layout to the diatonic's Richter tuning except that it eliminates the G on the draw and doubles the Cs that are not on the ends of the instrument. In the standard 12-hole chromatic in C the lowest note is middle C, while 16-hole variants start one octave lower.
Temperament is what the Italians call participatione, or system temperato, because it is founded on temperature; that is, on the diminution of some intervals and augmentation of others, by which it partakes of the diatonic and chromatic systems.