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I Concentrate on You" is a song written by Cole Porter for the 1940 film Broadway Melody of 1940, where it was introduced by Douglas McPhail. Notable recordings
I Concentrate on You: A Tribute to Cole Porter is an album by American jazz saxophonist Lee Konitz and bassist Red Mitchell recorded in Denmark in 1974 and released on the Danish SteepleChase label. [ 1 ] [ 2 ] [ 3 ]
I'm with You Sessions (also known as I'm with You Singles Collection and I'm Beside You) [1] is a group of nine singles by American rock band Red Hot Chili Peppers featuring 17 songs recorded in contention for the band's tenth studio album, I'm with You (2011).
Swedish singer-songwriter and rapper Neneh Cherry's interpretation of "I've Got You Under My Skin" was released the lead single for the Red Hot + Blue charity album in September 1990 and reached number 25 on the UK Singles Chart. Additionally, it was a top-10 hit in Greece and entered the top 20 in the Netherlands and Sweden.
[8] Dave Gelly in his review for The Guardian stated, "deceptively sweet-sounding set which, once you cotton on to the pianist’s way of treating a few mainly well-known tunes, is absolutely absorbing. Instead of the usual jazz method of improvising on a tune over and over again, known as “playing choruses”, he plays the song with a few ...
"Did I Let You Know" was released exclusively in Brazil thanks to response from a poll voted on by the fans, though it was not considered a proper single. [9] A Rolling Stone Reader's Poll named I'm with You the 8th best album of 2011 and the album was also nominated for the Grammy Award for Best Rock Album. [10]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
You know, three songs in three hours. It was go in, sit down and work. Here's the songs, here's the chords, let's get it done. It was not a Beatles-type leisurely session. It was work." [7] We did the album in two nights. ... I was only there three days recording. I'd learn five songs in the morning and I'd go and record five songs that night.
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