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Hamletmachine (German: Die Hamletmaschine) is a postmodernist drama by German playwright and theatre director Heiner Müller, loosely based on Hamlet by William Shakespeare. It was written in 1977, and is related to a translation of Shakespeare's Hamlet that Müller undertook.
The Hamlet character was portrayed at different stages in his life by three separate performers: the actors Kurt Müller and Rudolf Kowalski as Hamlet I and Hamlet II, and the baritone Johannes M. Kösters as Hamlet III. [3] A live recording of the opera's premiere was released on CD in 1995 (Wergo #6195) [4] [5]
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
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Opheliamachine is a postmodernist drama by the Polish-born American playwright and dramaturg, Magda Romanska.Written in the span of ten years, from 2002 to 2012, the play is a response to and polemic with the German playwright Heiner Mueller's Hamletmachine (in German, Die Hamletmaschine).
Reading list may refer to: Reading list, a list of publications to be read (completely or partially), e.g., as part of the syllabus of an academic course Reading List, a Safari (web browser) bookmarking feature for saving links to webpages, with simple metadata for later reading, synchronized across devices
Read; Edit; View history; Tools. Tools. ... Characters in Hamlet (1 C, 14 P) W. Works about Hamlet (1 C, 3 P) Works based on Hamlet (7 C, 6 P) Pages in category "Hamlet"
"This is that Hamlet the Dane, whom we read of in our youth". [77] One might say, he observes, that Hamlet is just a character in a play: "Hamlet is a name; his speeches and sayings but the idle coinage of the poet's brain." [78] Yet Shakespeare gives those sayings a reality in the mind of the reader, making them "as real as our own thoughts." [78]