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MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.
Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as fashion, interior design, and fine arts. [2] [3]
Printed rayon challis fabric Crinkle rayon challis fabric. Challis, sometimes referred to as challie [1] or chally, [2] is a lightweight woven fabric, originally a silk-and-wool blend, which can also be made from a single fibre, such as cotton, silk or wool, [3] or from man-made fabrics such as rayon. [4]
The producer, name of the product, and registration number of the design is printed on the selvage, thus protecting the design and attesting to the quality of the fabric. Wax fabrics constitute capital goods for African women. They are therefore often retained based on their perceived market value.
Originally it was probably entirely of wool, but later a "woolsey-linsey" cloth, made with a warp of linen yarn and a worsted weft. The gowns of most English lawyers are still described as "stuff gowns" (though probably now made of other fibres). This is in contrast with those of King's Counsel, which are made of silk, whence they are termed ...
Additionally, the weft is made of gold lace and the silk warp is doubled in both the heddles and reed, resulting in a heavier fabric than usual. [ 17 ] [ 18 ] Brocades on Tissue sarees are woven using silk yarn for the body and feature exquisite zari patterns on the pallu , which is the border of the sari.
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
The pattern was only used only for status and royal ceremonies, but gradually became a commonly used design in Akwete weaving. Upon the arrival of Christianity to Akwete, weavers crafted the "Ikperendioma" pattern, meaning "the good people's knees". This motif displayed kneeling Christians worshiping in a churchlike setting.
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