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"Marryuna" (English: "Let's Dance") [2] is a song by Australian musician Baker Boy featuring Yirrmal, released independently on 6 October 2017. The song ranked at number 17 in Triple J 's Hottest 100 of 2017 .
The video features Baker Boy rapping in his native language of Yolngu Matha as well as English, alongside six barefoot Dancehall Dancers and two members of the Baker Boy family. Baker Boy said: "The video for "Meditjin" was such an exciting process to work through, the concept blew my mind, so I was just so pumped we managed to pull all the ...
"Marryuna" (2017) Music video; on YouTube "Cloud 9" is a song by Indigenous Australian musician Baker Boy featuring Australian musician Kian. [2] It was released in ...
Noisemaker is a musical instrument which is not Used for music but rather for noisemaking: unpitched percussion: musical instrument Pahū Pounamu: idiophones: New Zealand, Traditional Maori Gong: tam-tam Piano (pianoforte) also used melodically, see chordophones: chordophones: 314.122-4-8: Italy: stringed instruments: keyboard hammmer-struck ...
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
Spoons are often used in ethnic Russian music and are known as lozhki (Russian: Ло́жки [plural]; Pronunciation: Ложка ⓘ [singular]). The use of spoons for music dating at least from the 18th century (and probably older). [1] Typically, three or more wooden spoons are used. The convex surfaces of the bowls are struck together in ...
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of African peoples as well as Indigenous peoples of the Americas. [1] It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal.
The musician sits on top of the box reaching down to pluck the tongues whilst slapping the sides of the box like a drum. The instrument's evolution and playing style is similar to the cajon box drum. This instrument was very important in the development of Afro-Cuban music as it was one of the basic instruments played by changüí musicians.