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Crack: Cocaine, Corruption & Conspiracy is a 2021 American documentary film made for Netflix and directed by Stanley Nelson. [1] Its story focuses on the emergence and effects of the 1980s crack epidemic in the United States, which resulted in negative effects on America's inner cities. [2] [3] The film was released on January 11, 2021.
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On Rotten Tomatoes, the film has an approval rating of 36% based on 11 reviews. [4] The A.V. Club describes it as "a sketchy but eerily effective take on Hansel And Gretel, with the ever-eccentric Gallo making a profound impact as a creepily soothing, androgynous charlatan with sinister intentions."
Title Director Cast Genre Notes The Age for Love: Frank Lloyd: Billie Dove, Edward Everett Horton, Lois Wilson: Comedy: United Artists: Air Eagles: Phil Whitman: Lloyd Hughes, Norman Kerry, Shirley Grey
By this point the British film industry had completed the conversion from silent to sound films. Prominent British production companies included British International Pictures and Gainsborough Pictures. The requirements of the 1927 Film Act led a number of American companies to produce or distribute films in Britain, including a growing number ...
Neck and Neck is a 1931 American pre-Code drama film directed by Richard Thorpe from a script by Betty Burbridge and starring Glenn Tryon, Vera Reynolds and Walter Brennan. [ 2 ] Plot
Fighting Caravans is a 1931 American pre-Code Western film directed by Otto Brower and David Burton and starring Gary Cooper, Lili Damita, and Ernest Torrence. [1] Based on the 1929 novel Fighting Caravans by Zane Grey, the film is about a young frontier scout who helps guide a freight wagon train across the country, fighting off Indians and evil traders, while his two crusty companions try to ...
The Road to Singapore is a 1931 American pre-Code romantic drama film directed by Alfred E. Green and starring William Powell and Doris Kenyon, who play two thirds of a romantic triangle, along with Louis Calhern. [2] It was produced and distributed by Warner Bros. The film's sets were designed by the art director Anton Grot.