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Otokonoko (男の娘, "male daughter" or "male girl", also pronounced as otoko no musume) is a Japanese term for men who have a culturally feminine gender expression. [1] [2] This includes, among others, males with feminine appearances, or those cross-dressing.
In contemporary Japanese culture, nanpa most often refers to "girl hunting" and there is a strong negative connotation associated with it. The word for boyfriend hunting by women, gyakunan, derives from gyaku ( 逆 , lit. "reverse") , and the first part of the word nanpa.
Gackt, a Japanese singer-songwriter, is considered to be one of the living manifestations of the Bishōnen phenomenon. [1] [2]Bishōnen (美少年, IPA: [bʲiɕo̞ꜜːnẽ̞ɴ] ⓘ; also transliterated bishounen) is a Japanese term literally meaning "beautiful youth (boy)" and describes an aesthetic that can be found in disparate areas in East Asia: a young man of androgynous beauty.
bishōnen (美少年, "beautiful boy", sometimes abbreviated bishie): Japanese aesthetic concept of the ideally beautiful young man: androgynous, effeminate or gender-ambiguous. [9] In Japan, it refers to youth with such characteristics, while in Europe and the Americas, it has become a generic term for attractively androgynous males of all ages.
Ikemen in Korean and Japanese dramas are showcased as having patience, gentleness, and the ability to self-sacrifice for the woman they love while being able to express a wide range of human emotion. These traits are seen as desirable, as Japanese culture finds clever, self-centered, and larger than life figures to be both intimidating and ...
In 1959, Akiko Kojima, a Japanese woman, became the first non-white woman to win the Miss Universe beauty pageant. [23] That same year, Miyoshi Umeki, also a Japanese woman, won an Academy Award. This period marked the beginning of the phenomenon known as the 'Oriental wave' – during which Asian women first gained prominence in Western media. [8]
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LGBTQ culture in Japan has recently begun to distinguish. The Japanese adopted the English term gender ( ジェンダー , jendā ) to describe cultural concepts of feminine and masculine. Previously, sei was used to distinguish the binary biological sexes, female and male, as well as the concept of gender.