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Aggretsuko, also known by its Japanese title Aggressive Retsuko (Japanese: アグレッシブ烈子, Hepburn: Aguresshibu Retsuko), is a Japanese–American animated anime comedy television series based on the eponymous character created by "Yeti" for the mascot company Sanrio.
In Europe, it was also rereleased in the Mini Classics series. In the Super Smash Bros. series, Mr. Game & Watch has a move called "Oil Panic", where he collects energy-based attacks in an oil bucket to throw at opponents as oil later, referencing Oil Panic. [48] In Melee, the stage Flat Zone is based on a number of Game & Watch games ...
In 2018, Super Smash Bros. Ultimate for the Nintendo Switch was released. It became the best-selling fighting game of all time, topping its Wii predecessor Super Smash Bros. Brawl and introduced nearly 90 characters through its default mode and through downloadable content or DLC, [169] having sold 34.22 million copies worldwide. [170]
The Game & Watch series sold 14 million units worldwide during its first year of release by 1981. [18] The Game & Watch version of Donkey Kong released in 1982 sold 8 million units. [2] Mario the Juggler, released in 1991, was the last game created in the Game & Watch series. [19]
The Awkward Yeti, featuring Lars, was originally self-published as a children's book in 2012. As Seluk started to get attached to the character, he began creating more adult-oriented comics strips about Lars and uploading them on the Internet in September 2012. [4] Lars is a socially awkward yeti, trying to get
To Catch a Yeti is a 1995 British-Canadian made-for-TV movie, directed by Bob Keen and featuring Meat Loaf and Rick Howland. The film was shot over 13 days in Ontario, Canada in 1993, and first broadcast two years later.
Cryptozoology is a pseudoscience and subculture that searches for and studies unknown, legendary, or extinct animals whose present existence is disputed or unsubstantiated, [1] particularly those popular in folklore, such as Bigfoot, the Loch Ness Monster, Yeti, the chupacabra, the Jersey Devil, or the Mokele-mbembe.
The story is told from the perspective of an online reality show created by Rick Jones to foster public acceptance of the Hulk as a hero and not a monster. The "show" is filmed by robotic flying cameras that accompany the Agents of the Supreme Military Agency of Super Humans (S.M.A.S.H.) everywhere they go, resulting in humorous vignettes and visual gags throughout each episode.