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Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. [1]
In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. [2] However, some buildings built after this period are still considered postmodern. [3]
"Postmodernism" is "a highly contested term", [3] referring to "a particularly unstable concept", [4] that "names many different kinds of cultural objects and phenomena in many different ways". [5] It may be described simply as a general mood or Zeitgeist. [6] [a]
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French Algerian philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
High-tech architecture balances art and engineering as its primary themes, and as such incurs trade-offs between the aesthetics of the two disciplines. [ 12 ] High-tech architecture has generated some criticism for its forays into home building and design, an issue it shares in common with Modernism.
Postmodernism in visual art begins and functions as a parallel to late modernism [3] and refers to that period after the "modern" period called contemporary art. [4] The postmodern period began during late modernism (which is a contemporary continuation of modernism), and according to some theorists postmodernism ended in the 21st century.
Eero Saarinen (1910–1961) was the son of Eliel Saarinen, the most famous Finnish architect of the Art Nouveau period, who emigrated to the United States in 1923, when Eero was thirteen. He studied art and sculpture at the academy where his father taught, and then at the Académie de la Grande Chaumière Academy in Paris before studying ...
Magdeburg Cathedral (c. 1200) was one of the key buildings of this period, symbolizing imperial power and Christian devotion. Ottonian architecture was known for its elaborate mosaics, frescoes, and sculptures that incorporated both Byzantine and local traditions. Manuscripts from the period also show the richness of Ottonian visual culture. [160]