Search results
Results from the WOW.Com Content Network
The same reference to the Genealogiae can be cited as the source for the drawing by Parmigianino presently located in the Morgan Library & Museum in New York City. [82] In the drawing, a very noble rendering of Prometheus is presented which evokes the memory of Michelangelo's works portraying Jehovah. This drawing is perhaps one of the most ...
Prometheus Unbound is an oil-on-canvas painting by the Danish painter Carl Bloch. It was painted in 1864, having been commissioned by the King of Greece. It was painted in 1864, having been commissioned by the King of Greece.
In some versions of a Greek creation myth, Prometheus forges humans from clay and the stolen fire brings them to life. A painting, Adam and Eve, also by Baburen, was sold at auction in 1707 together with the Prometheus Being Chained by Vulcan, and one might conjecture that the two works formed a pair, both being illustrations of creation. [1] [2]
Prometheus (Spanish: Prometeo) is a fresco by Mexican muralist José Clemente Orozco [4] depicting the Greek Titan Prometheus stealing fire from the heavens to give to humans. [2] It was commissioned for Pomona College 's Frary Dining Hall and completed in June 1930, [ 4 ] becoming the first modern fresco in the United States.
Vulcan Chaining Prometheus is a 1744 oil on canvas painting by Jean-Charles Frontier, produced as his reception piece for the Académie Royale de peinture. [1] It shows Jupiter (top right with his eagle) ordering the eternal punishment of Prometheus (bottom left), which Vulcan (bottom right) begins.
The Myth of Prometheus (1515) Oil on panel, Alte Pinakothek, is held at Munich. The Munich version depicts a central statue among other activities in the painting. A second version of The Myth of Prometheus (1515) Oil on panel, Musée des Beaux-Arts, is held in Strasbourg. The Strasbourg version depicts a statue addressed by Prometheus on the ...
Prométhée, Op. 82, (Prometheus) is a tragédie lyrique (grand cantata) in three acts by the French composer Gabriel Fauré with a French libretto by the Symboliste poets Jean Lorrain and André-Ferdinand Hérold (1865–1940). It was partly based on the opening of the Greek tragedy of Prometheus Bound.
There is no record of Cole commenting on the theme of Prometheus Bound.Art historian Patricia Junker notes that writers and artists often took up the myth of Prometheus in the decades before Cole's painting; they include Lord Byron, James Gates Percival, Elizabeth Barrett Browning, James Russell Lowell, Henry David Thoreau, and Henry Wadsworth Longfellow.