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The designs were initially entitled the 'Pedestal Group' before Saarinen and Knoll settled on the more organic sounding 'Tulip chair' to mirror its inspiration from nature. [3] It was designed primarily as a chair to match the complementary dining table. The chair has the smooth lines of modernism and was experimental with materials for its time.
Tanglewood Shed in 1938 (with Eliel Saarinen and Joseph Franz), Chamber Music Shed in 1947 (with Eliel Saarinen), Edmund Haws Talbot Orchestra Canopy in 1959: Center Line Defense Housing: Center Line: Michigan: 1941: 1942: With Eliel Saarinen and J. Robert F. Swanson. 477 housing units: Albert and Muriel Wermuth House: Fort Wayne: Indiana: 1941 ...
Eero Saarinen (/ ˈ eɪ r oʊ ˈ s ɑːr ɪ n ə n, ˈ ɛər oʊ-/, Finnish: [ˈeːro ˈsɑːrinen]; August 20, 1910 – September 1, 1961) was a Finnish-American architect and industrial designer who created a wide array of innovative designs for buildings and monuments, including the General Motors Technical Center in Warren, Michigan; the passenger terminal at Dulles International Airport ...
Dining chair, designed to be used at a dining table; typically, dining chairs are part of a dining set, where the chairs and table feature similar or complementary designs. The oldest known depiction of dining chairs is a seventh-century BCE bas-relief of an Assyrian king and queen on very high chairs. [20]
Gottlieb Eliel Saarinen (/ ˈ s ɑːr ɪ n ə n /, Finnish: [ˈelie̯l ˈsɑːrinen]; August 20, 1873 – July 1, 1950) was a Finnish and American architect known for his work with Art Nouveau buildings in the early years of the 20th century.
The Tulip Period style also influenced the architecture of the Rızvaniye Mosque complex (1721–1722), one of the most famous religious complexes in Urfa, which was built next to the Balıklıgöl pool. The complex is known for the long decorative portico which stretches along the pool and opens onto a madrasa.
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