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The artists with the most songs in the 1950 year-end charts were Red Foley with eight songs, Eddy Arnold with seven, Ernest Tubb with five, Hank Williams with four, and the duet pairing of Margaret Whiting and Jimmy Wakely with four. [1]
Many of the songs in the 1950s hinted at the simmering racial tension that would later usher in the Civil Rights Movement in the 1960s. The 1950s was a pivotal era in music, laying the groundwork ...
The 1950s were one of country music's most influential decades, with artists such as Johnny Cash, Hank Williams, and Patsy Cline being some of the decade's most notable. The honky-tonk style of country music remained heavily popular during the decade, and the late 1950s gave rise to the Nashville sound. [6]
Note: Several songs were simultaneous No. 1 hits on the separate "Most Played Juke Box Folk (Country & Western) Records," "Best Selling Retail Folk (Country & Western) Records" and "Country & Western Records Most Played by Folk Disk Jockeys" charts.
The effort to rebrand country music and tie it to the U.S.’s Cold War mission began in the early 1950s. In 1951, country music impresario Connie B. Gay booked artist Grandpa Jones on a tour of ...
The Bakersfield sound is a sub-genre of country music developed in the mid-to-late 1950s in and around Bakersfield, California. [1] Bakersfield is defined by its influences of rock and roll and honky-tonk style country, and its heavy use of electric instrumentation and backbeats. [2]
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
The connection between music and politics has been seen in many cultures. People in the past and present – especially politicians, politically-engaged musicians and listeners – hold that music can 'express' political ideas and ideologies, such as rejection of the establishment ('anti-establishment') or protest against state or private actions, including war through anti-war songs, but also ...