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Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
The project was conducted in the ancient Japanese printing technique called Gyotaku. She learned Japanese during this time in order to communicate personally with Japanese Gyotaku artists. [4] O’Leary's style borders on the abstract yet keeps to the proportionate makeup of her subjects, combining her scientific and artistic techniques.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Provincetown Printers were a group of artists, most of them women, who created art using woodblock printing techniques in Provincetown, Massachusetts during the early 20th-century. [ 1 ] [ 2 ] It was the first group of its kind in the United States, developed in an area when European and American avant-garde artists visited in number after ...
However, Hamaguchi valued its emphasis on tonality and texture as expressed in a work's lighting and tactile qualities. By working in a European-born printing technique, Hamaguchi received praise from the European, American, and Japanese art centers for his distinct mezzotint printing methods and re-popularization of the long-ignored medium.
Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper. Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of ...
In most cases, surimono were commissioned by poetry societies to illustrate the winning poem in a poetry contest judged by the master of the society. Such prints generally had a small format, often c. 205 × 185 mm, and the relief carving of the Kanji characters took a great deal of technical skill.
That same year, he met Polish printmaker Józef Hecht, who introduced Hayter to copper engraving using the traditional burin technique. Hecht helped Hayter acquire a press for starting a printmaking studio for artists young and old, experienced and inexperienced, to work together in exploring the engraving medium. [ 5 ]