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Gyotaku print of a fish Gyotaku ( 魚拓 , from gyo "fish" + taku " stone impression ") is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also ...
The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints. The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and ...
Utamakura (歌まくら, "poem[s] of the pillow") is a book of 12 erotic prints attributed to Utamaro, published in 1788. [10] The first print depicts a pair of kappa river creatures raping an ama diver underwater. [11] Her hair flows with the running current, [12] and small, seemingly curious fish swim near. [13]
Hasegawa also created paintings in ink wash. His prints were monotypes in watercolor, gouache, or ink, made with kamaboko-ita (rectangular pieces of wood used to steam kamaboko, or fish cakes, in Japan) and funaita (ship planks) as the printing blocks.
Images in books were almost always in monochrome (black ink only), and for a time art prints were likewise monochrome or done in only two or three colors. The text or image is first drawn onto thin washi (Japanese paper), called gampi, then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used ...
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
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