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The Parliament of Birds, an 18th-century oil painting by Karl Wilhelm de Hamilton. The Parlement of Foules (modernized: Parliament of Fowls), also called the Parlement of Briddes (Parliament of Birds) or the Assemble of Foules (Assembly of Fowls), is a poem by Geoffrey Chaucer (c. 1340s–1400) made up of approximately 700 lines.
"The Nun's Priest's Tale" (Middle English: The Nonnes Preestes Tale of the Cok and Hen, Chauntecleer and Pertelote [1]) is one of The Canterbury Tales by the Middle English poet Geoffrey Chaucer. Composed in the 1390s, it is a beast fable and mock epic based on an incident in the Reynard cycle .
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.
Geoffrey Chaucer. Geoffrey Chaucer, Legend of Good Women, House of Fame, Book of the Duchess, Parliament of Fowls – The Parliament of Fowls features a dream vision in which the narrator falls asleep while reading the Dream of Scipio and is ushered into a walled garden. He is chaperoned in the dream briefly by Scipio the Elder himself.
The poem had an important legacy for later writers. Robert Henryson's Scots poem The Testament of Cresseid imagined a rambunctious fate for Criseyde not given by Chaucer. In historical editions of the English Troilus and Criseyde, Henryson's distinct and separate work was sometimes included without accreditation as an "epilogue" to Chaucer's tale.
These poets share in the medieval status of Chaucer, and Chaucer is their immediate predecessor, but the poems retain the distinctiveness of the Scottish authors and traditions. As time continues on in the 15th century, the authors move further and further away from direct similarity with Chaucer.