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Anam Cara is a phrase that refers to the Celtic concept of the "soul friend" in religion and spirituality. The phrase is an anglicization of the Irish word anamchara, anam meaning "soul" and cara meaning "friend". The term was popularized by Irish author John O'Donohue in his 1997 book Anam Ċara: A Book of Celtic Wisdom about
The gyfu rune is sometimes used as a symbol within modern mysticism, particularly amongst those interested in Celtic mythology. It's described, for example, in the book The Runic Tarot as a representation of the giving-receiving balance in friendships .
The symbol is also sometimes used by Wiccans, White Witches, and some New Agers to symbolise the Triple Goddess, or as a protective symbol. [ 7 ] In the 1998–2006 American fantasy drama Charmed , that ran on the now-defunct The WB network, the triquetra was prominently used as a symbol on the Halliwells' Book of Shadows , the book of spells ...
While this poem is known by its opening refrain, Yedid Nefesh/Soulmate, in the 18th-century prayer book of Rabbi Jacob Emden, he records its official title as: "Song of Awakening of the Soul-Toward the Love of Blessed Hashem (the Name)" (translation from his original Hebrew). In Judaism, bashert means destined or intended. This term can refer ...
All the common words, idioms, proverbs, and modern academic, literary, scientific, and technical terms of the Urdu language have been listed. Only those obsolete words and idioms have been included which are found in ancient books. They are indicated by the symbol "Qaaf". The English words that are commonly used in Urdu have also been included. [5]
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
The word fylgja means "to accompany". [2] The term fylgja is typically translated into English as "fetch", a similar being from Irish folklore. [3]The term fylgja also has the meaning of "afterbirth, caul", and it has been argued by Gabriel Turville-Petre [4] (cf. § Placenta origins) that the concept of the supernatural fylgja cannot be completely dissociated from this secondary meaning; in ...
The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]