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"Two Lovers and a Beachcomber by the Real Sea" is a poem written by Sylvia Plath that was first published in 1955, the year she graduated from Smith College summa cum laude. [1] An abstract poem about an absent lover, it uses clear, vivid language to describe seaside scenery, with "a grim insistence" on reality rather than romance and imagination.
Sylvia Plath (/ p l æ θ /; October 27, 1932 – February 11, 1963) was an American poet and author.She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963.
Ariel was the second book of Sylvia Plath's poetry to be published. It was first released in 1965, two years after her death by suicide. The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems. [1]
The list below includes the poems in the US version of the collection, published by Heinemann in 1960. [1] This omits several poems from the first UK edition, published by Faber & Faber in 1967, [2] including five of the seven sections of "Poem for a Birthday", only two of which ("Flute Notes from a Reedy Pond" and "The Stones") are included in the US edition.
Writing alongside Sylvia Plath Plath's presence looms in pieces like "The Knife Speaks." In 2020, during the early lockdown days, Bartel kept time with Plath's letters and journals.
Crossing the Water is a 1971 posthumous collection of poetry by Sylvia Plath that was prepared for publication by Ted Hughes. These are transitional poems that were written along with the poems that appear in her poetic opus, Ariel. The collection was published in the United Kingdom by Faber & Faber (1975) and in the United States by Harper ...
Her biography of poet Sylvia Plath, Red Comet: The Short Life and Blazing Art of Sylvia Plath, was a finalist for the 2020 Pulitzer Prize. [1] She is also the author of The Grief of Influence: Sylvia Plath and Ted Hughes (2011) and The Ulster Renaissance: Poetry in Belfast 1962–1972 (2006).
Nick Reilly of NME said the song features Del Rey "delivering one of her most confessional offerings to date as she compares herself to troubled poetry icon Sylvia Plath". [10] Trace William Cowen of Complex called it "delightfully minimalist". [3] Winston Cook-Wilson of Spin found the track to be "exceptionally crafted" with "standout lyrics". [6]