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Timaeus suggests that since nothing "becomes or changes" without cause, then the cause of the universe must be a demiurge or a god, a figure Timaeus refers to as the father and maker of the universe. And since the universe is fair, the demiurge must have looked to the eternal model to make it, and not to the perishable one (29a).
Plato, as the speaker Timaeus, refers to the Demiurge frequently in the Socratic dialogue Timaeus (28a ff.), c. 360 BC. The main character refers to the Demiurge as the entity who "fashioned and shaped" the material world. Timaeus describes the Demiurge as unreservedly benevolent, and so it desires a world as good as possible. The result of his ...
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
Timaeus of Locri (pronunciation in modern English / t aɪ ˈ m iː ə s /; Ancient Greek: Τίμαιος ὁ Λοκρός, romanized: Tímaios ho Lokrós; Latin: Timaeus Locrus) is a character in two of Plato's dialogues, Timaeus and Critias. In both, he appears as a philosopher of the Pythagorean school.
Plato's Timaeus describes this living cosmos as being built by the demiurge, [2] constructed to be self-identical and intelligible to reason, [3] according to a rational pattern expressed in mathematical principles and Pythagorean ratios describing the structure of the cosmos, and particularly the motions of the seven classical planets. [4]
Commentaries on Plato refers to the great mass of literature produced, especially in the ancient and medieval world, to explain and clarify the works of Plato.Many Platonist philosophers in the centuries following Plato sought to clarify and summarise his thoughts, but it was during the Roman era, that the Neoplatonists, in particular, wrote many commentaries on individual dialogues of Plato ...
Concerning the cosmos, in the Timaeus, the title character also tells a "likely story" in which nous is responsible for the creative work of the demiurge or maker who brought rational order to our universe. This craftsman imitated what he perceived in the world of eternal Forms.
Atticus regards the Demiurge, the creator of the world in Plato's Timaeus, as the supreme god. Ontologically, he sees the Demiurge as the supreme first principle; he identifies the Demiurge with the Platonic Form of the Good, the good in itself, which appears as the supreme deity in Plato's Republic.